from Liminal Spaces (2022—). As featured in Michigan Quarterly Review in Spring 2024. Dream, Mitotic Beginnings, and Disturbance are from a larger work of mixed-media collages utilizing handwritten Nsibidi symbols superimposed on the artist’s photographs of water, shoreline, and skies. This series is an exploration of time, space, and identity in the context of government- and socially-sanctioned crimes against African/descended girls and women.

VIDEO

Decisions. An Aural-Visual Poem (2o24), shot in Dakar, Senegal, captures the moment when in the midst of a government coup that will upend all that she knows, the protagonist must decide between moving forward or staying in the past.

As published in Michigan Quarterly Review in Spring 2024. This video poem contains an excerpt from the poem Mmiri III, a much longer poem capturing dialogue between two women with shared history of trauma yet each live in different times and geographical spaces. Across and through spacetime, they navigate what it means to have this shared history yet live free.